After taking on just one of the many interesting roles in this week’s Bobby, Hopkins will be taking a far more prominent position in his next outing – as writer, director and star of the wilfully experimental Slipstream, a surreal, existentialist Charlie Kauffman-style tale of an aging screenwriter whose characters start to appear in the real world, prompting much musing on the nature of reality, memory and death. Fun may not be the word, but it certainly sounds intriguing, with good reports this week from the Sundance Film Festival, where it’s just had its first screenings.
After that, it’s back to more familiar fare for Hopkins with Fracture (due in the Spring), where he’ll play a Hannibal Lecter-style intelligent murderer, as the wise older man in academia-set drama The City of Your Destination, and as yet another Butler, opposite Morgan Freeman, in Harry and the Butler (both due 2008).
Initially likely to attract most excitement, however, is the big budget adaptation of Dark Age classic Beowulf, where Hopkins will take on the put-upon King Hrothgar opposite Ray Winstone’s Beowulf and a monstrous Grendel voiced by Crispin Glover. And, in terms of full-on Hopkins-acting-his-guts-out potential, his turn as novellist Leo Tolstoy, opposite Paul Giamatti and Meryl Streep, in biopic The Last Station could prove one to excite the awards panels in a year or two, as the aging writer frets over combining his wealth and fame with his high principles. Not something, on the evidence of Slipstream, that Hopkins has much difficulty in doing.