Review: Apocalypto

UK release date: 5th January

At first sight, writer/director Mel Gibson’s Mayan epic seems intimidating. It’s 140 minutes long, has subtitled Yucatan dialogue and is set in pre-Spanish Mexico. Yet despite appearances it’s no pretentious arthouse film but a thrilling chase movie in which Mayan warrior Jaguar Paw (Rudy Youngblood) is pursued through the jungle by a vicious rival tribe eager to use him as a blood sacrifice.

Stocking up on sadistic violence, Gibson matches The Passion of the Christ‘s bloodsoaked tableaux with a catalogue of astonishingly gory beheadings and impalements, all set against the forbidding backdrop of Mayan pyramids and lush tropical undergrowth. He directs the set pieces with style, creating an exciting, exhausting action adventure that’s like a strangely compelling hybrid of Mayan mythology, 1980s video nasty Cannibal Holocaust and Tarzan.

Radio Times rating:

****

UK cinema certificate 18
Running time 138mins

Review by Jamie Russell

Review: Miss Potter

UK release date: 5th January

Beatrix Potter (Renée Zellweger) didn’t just write and illustrate world-famous children’s books, she was a protofeminist — making a fortune in a man’s world — and an early environmentalist — saving her beloved Lake District from property development. That’s the spin of Babe director Chris Noonan’s heart-warming but overly sentimental costume drama, in which Zellweger gurns a lot through her portrayal of the creative Victorian free spirit.

What makes the film work is Ewan McGregor’s effortless charm as the timid publisher who shares her vision of The Tale of Peter Rabbit and becomes her first romance in the bestselling process, and a sparkling Emily Watson as his spinster sister, who eventually befriends Beatrix.

Directed in picture-postcard style, with occasional flashes of cartoon animation depicting Potter’s creations and inner emotions, this is a sweet and lightweight treat.

Radio Times rating:

***

UK cinema certificate PG
Running time 92mins

Review by Alan Jones

Review: A Prairie Home Companion

UK release date: 5th January

The final film from one of Hollywood’s best-loved mavericks, the late Robert Altman, is a gentle, affectionate salute to Garrison Keillor’s equally gentle and affectionate radio show of the same name.

Keillor plays himself, the genial, unflustered host of a long-running live public radio show that is about to be closed down. Ruthless Texan millionaire Tommy Lee Jones has bought the theatre, and it will be demolished after the final performance. The film shows the action on and off stage, although not a lot actually happens and a sub-plot involving a mysterious woman (Virginia Madsen) is just daft.

However, the joy comes from the relaxed interplay between the show’s troupe of regulars and some great country music performances from the likes of Meryl Streep, Woody Harrelson, Lily Tomlin and John C Reilly. A fine way for Altman to bow out.

Radio Times rating:

****

UK cinema certificate PG
Running time 105mins

Review by John Ferguson

Review: Night at the Museum

UK release date: 26th December

Ben Stiller heads a cast of A-list comedy actors that ranges from the likes of Mickey Rooney and Dick Van Dyke to Robin Williams in this raucous romp through history. Stiller plays the patsy once again as night watchman Larry Daley, who has to run for his life when an ancient curse causes the exhibits in a museum of natural history to come to life at sundown.

Stiller does a sterling job here and there’s a witty use of visual effects such as when Larry is terrorised by a T rex skeleton or when he tries to negotiate peace between a miniature Old West gunslinger (an uncredited Owen Wilson) and an equally tiny Roman general (Steve Coogan). Meanwhile, Ricky Gervais pops up as an officious museum director who’s not a million miles away from David Brent.

Director Shawn Levy is not always in control of his storyline as he desperately tries to string various subplots together through Larry’s faltering relationship with his son (Jake Cherry). Fortunately, there are enough exciting stunts and larger-than-life performances to provide entertainment for kids and old relics alike.

Radio Times rating:

***

UK cinema certificate PG
Running time 108mins

Review by Stella Papamichael

Review: Perfume: The Story of a Murderer

UK release date: 26th December

Novelist Patrick Süskind’s so-called “unfilmable” story of obsession and murder in 18th-century France gets a ravishing big-screen adaptation courtesy of Run Lola Run director Tom Tykwer. An offbeat and sensuous adult fairy tale, it revolves around a chilling turn by Ben Whishaw (Enduring Love) as the Parisian perfumer’s apprentice, Jean-Baptiste Grenouille. Born with an exceptional sense of smell, Grenouille becomes monstrously fixated on preserving the aroma of young women — particularly the only daughter of merchant Antoine Richis (a poignant Alan Rickman). The tragic horror that unfolds has a seductive quality reminiscent of German Expressionist cinema, which gives Grenouille’s crimes and motivations a darkly romantic edge. But it’s the extraordinary visuals and evocative soundtrack that are the movie’s greatest strengths, re-creating a pungent era so vividly that every frame conjures up mental fragrances. This really is a mesmerising experience, though the faithfulness to the source material makes the film excessively long and occasionally sluggish.

Radio Times rating:

***

UK cinema certificate 15
Running time 147mins

Review by Sloan Freer

Review: It’s a Boy/Girl Thing

UK release date: 26th December

In this likeable addition to the body-swap comedy genre, rising young stars Kevin Zegers (Transamerica, the Air Bud franchise) and Samaire Armstrong (TV’s The OC) play chalk-and-cheese next-door neighbours and sworn enemies, who get an unexpected taste of each other’s lives when a magical Aztec statue causes them to exchange bodies. They then set out to destroy each other’s high-school reputations — he’s the star quarterback with the cheerleader girlfriend, she’s the bookworm heading for a top college.

This role-reverse romantic comedy may not be original, but it’s engagingly done and there are charming performances from the two leads. Watch out, too, for the feature film debut of X Factor judge Sharon Osbourne as Zegers’s mum.

Radio Times rating:

***

UK cinema certificate 12A
Running time 94mins

Review by David Aldridge

Review: Flags of Our Fathers

UK release date: 22nd December

Joe Rosenthal’s iconic photograph of US servicemen raising the Stars and Stripes above the Pacific island of Iwo Jima is the starting point for Clint Eastwood’s Second World War epic. Part war movie, part deconstruction of heroism, it follows three of the group — Marines Rene Gagnon and Ira Hayes (Jesse Bradford, Adam Beach), and Navy corpsman “Doc” Bradley (Ryan Phillippe) — as they’re sent home to bolster the fundraising effort. While these men struggle to cope with post-traumatic stress and their reluctant status as heroes, Eastwood reveals the complex interaction of war, propaganda and real lives behind the famous image.

Based on a bestselling memoir by Bradley’s son, this is a technically accomplished yet ponderously worthy film that quickly abandons its probing remit to fall back on misty-eyed platitudes about war as hell and the camaraderie of soldiers under fire. Eastwood’s Letters from Iwo Jima, which depicts events from the Japanese perspective, is due for release in February.

Radio Times rating:

***

UK cinema certificate 15
Running time 131mins

Review by Jamie Russell

Review: Deja Vu

UK release date: 15th December

Denzel Washington reteams with his Crimson Tide and Man on Fire director Tony Scott for this sci-fi thriller about manipulating the past to save lives in the future.

Washington plays Doug Carlin, a New Orleans federal agent investigating a huge bombing, who is given access to a top-secret government “time window” that lets him see into the past. He then tries to solve the crime, and also prevent it from ever happening.

The screenplay provides some provocative commentary on surveillance, home-grown terrorism and the Bush doctrine of pre-emptive strikes, but Scott is far more interested in crash, bang, wallop pyrotechnics — in particular, a freeway car chase that occurs simultaneously in both the past and the present.

This is a gloriously dumb thriller that occasionally teases with some serious themes, but doesn’t quite follow them through.

Radio Times rating:

***

UK cinema certificate 12A
Running time 126mins

Review by Jamie Russell

Review: Eragon

UK release date: 15th December

It’s set in a world of dragons and sorcery, but Eragon fails to conjure the magic of Christopher Paolini’s bestselling book.

Newcomer Ed Speleers stars (with some initial uncertainty) as the titular farm boy who becomes a “dragon rider”, threatening the tyrannical rule of King Galbatorix (a gnashing John Malkovich). Jeremy Irons employs a dry sense of humour as Eragon’s mentor Brom, which helps to alleviate some of the tedium as the kid struggles to decide what his true mission is. Rachel Weisz voices Saphira, the winged beast that carries Eragon into battle, although getting there proves to be a dizzying ride.

First-time director Stefen Fangmeier provides occasional distraction from the dithering script with adrenaline-fuelled flying scenes. But sadly the CGI effects aren’t good enough to make Saphira an emotionally engaging character, so the relationship between her and Eragon fails to spark.

Radio Times rating:

**

UK cinema certificate PG
Running time 103mins

Review by Stella Papamichael

Review: Happy Feet

UK release date: 8th December

George Miller, the co-writer of Babe, does for penguins what he did for pigs in this fabulous family adventure. Playing like March of the Penguins: the Musical, it combines jaw-dropping computer animation with contemporary and classic tunes to bring to life a simple but eloquent story of an outcast emperor penguin’s struggle for acceptance.

Moral and ecological messages abound as avian cutie Mumble (voiced by Elijah Wood) hatches without the ability to sing — a terrible misfortune in an Antarctic community where penguin couples find their mate through song. What he can do however is tap dance brilliantly, leading to social rejection that prompts him to embark on an exciting quest to prove his worth.

Every element of this heart-warming tale is delightful, from the astonishing visuals and imaginative song and dance numbers to the relentlessly paced (and occasionally scary) action sequences. The voice talent is also seriously classy, with Robin Williams in dual roles a highlight in a cast that also includes Hugh Jackman and Nicole Kidman as Mumble’s parents.

Radio Times rating:

****

UK cinema certificate U
Running time 108mins

Review by Sloan Freer

Review: The Holiday

UK release date: 8th December

Cameron Diaz and Kate Winslet headline this romantic comedy for the festive season. Watching it is like unwrapping an attractively packed gift only to discover it’s socks again.

Writer/director Nancy Meyers should have observed the advice of her previous film, Something’s Gotta Give, and let a few scenes go. She spends far too much time lingering on humdrum episodes such as Diaz and Winslet emailing each other to arrange a house swap for the holidays. They’re both fleeing the fallout of broken relationships, but inevitably hopping across the pond leads both of them to unexpected romance.

Diaz and Jude Law make a fairly engaging couple, although sadly the early stages of their relationship are clumsily knitted together, while Winslet and Jack Black remain an awkward pairing throughout. But the film’s funny moments are as thinly scattered as the English snow, which mysteriously keeps appearing and disappearing throughout the movie.

Radio Times rating:

**

UK cinema certificate 12A
Running time 135mins

Review by Stella Papamichael

Review: Stranger Than Fiction

UK release date: 1st December

Following in the footsteps of such movies as Being John Malkovich and I Heart Huckabees, which treat their outrageous scenarios as more drama than comedy, comes Stranger than Fiction.

The loopy premise here is that mild-mannered tax inspector Will Ferrell begins to hear voices — well, actually just one voice, which seems to be narrating his life. A visit to a literature professor (Dustin Hoffman, as enjoyably tick-riddled as ever) reveals that the author of his story is Kay Eiffel (Emma Thompson) and she is indeed in control of his destiny. The trouble is that all her novels end in the death of the lead character.

In less talented hands, this kind of forced intellectual whimsy can be deeply irritating, but with the understated direction of Finding Neverland‘s Marc Forster, the decidedly odd is perfectly believable. And Ferrell, like Bill Murray and Robin Williams, proves that comic actors reined in can give surprisingly affecting dramatic performances.

Radio Times rating:

***

UK cinema certificate 12A
Running time 112mins

Review by Adam Smith

Review: Flushed Away

UK release date: 1st December

The first computer-animated feature from the Aardman brigade successfully replicates their Wallace & Gromit claymation aesthetic with convincing and entertaining (if less charming) results.

Hugh Jackman provides the voice of Roddy St James, a posh Kensington pet mouse who is flushed down the toilet into a vast rodent metropolis — a detailed mini-London constructed from rubbish. There he teams up with a streetwise rat (Kate Winslet) to foil the plans of a villainous toad (Ian McKellen) to flood the sewer city during half-time of the World Cup final. And along the way, Roddy finds genuine companionship for the first time.

Visually inventive and with a rich dose of British humour, directors David Bowers and Sam Fell’s film has thrilling adventure for the kids and droll wit for grown-ups. Jean Reno scores big laughs as stereotypical French mercenary Le Frog, but best of all are the singing slugs crooning pop hits as hilarious comment on the action.

Radio Times rating:

***

UK cinema certificate U
Running time 84mins

Review by Alan Jones

Review: Pan’s Labyrinth

UK release date: 24th November

In a superlative companion piece to 2001’s The Devil’s Backbone, director Guillermo del Toro uses his extraordinarily rich and detailed visual style to weave entrancing metaphorical fantasy horror through political allegory with stunning brilliance.

In 1944, in the aftermath of the Spanish Civil War, young Ofelia (Ivana Baquero) seeks refuge in a mysterious maze to escape the harsh realities of her life. There, satyr Pan (Doug Jones) sets her three perilous tasks. These mirror her soul-destroying existence and help her to cope with the perversions of innocence that fascism represents in this dark fable for adults.

Superbly acted (Sergi Lopez terrifies as the wicked stepfather who is one of Franco’s torturers), vividly beautiful (the fairy-tale landscapes are exquisite), and uniquely imaginative (a magical and sinister buffet sequence is astonishing), del Toro’s mesmerising phantasmagoria packs a real emotional punch. Coupled with Javier Navarrete’s glorious score, this grim spin on Alice in Wonderland is del Toro’s finest work to date.

Radio Times rating:

*****

UK cinema certificate 15
Running time 119mins

Review by Alan Jones

Review: Hollywoodland

UK release date: 24th November

Though it has all the hallmarks of a film noir — a gumshoe, a mysterious death and not one but two femmes fatales — Hollywoodland doesn’t quite fit the genre bill. Instead, it’s more a poignant love letter to the glory days of Tinseltown, personified by George Reeves (Ben Affleck), a struggling bit-part player who found fame in the 1950s as TV’s Superman.

The film takes liberties with the facts of Reeves’s life, starting with his apparent suicide in 1959 and telling his story in flashback through the eyes of private eye Louis Simo (Adrien Brody), who is hired by Reeves’s mother to look into her son’s death. Simo uncovers three possible alternatives, all hinged on Reeves’s involvement with a rich, powerful and married woman (Diane Lane).

Despite the convincingly dark, smoky atmosphere to Simo’s investigation, Hollywoodland works better when it’s evoking Reeves’s heyday — a cosmetically genteel world of zoot suits and jazz bands, in which the studio system protected its investments at any price.

Radio Times rating:

***

UK cinema certificate 15
Running time 125mins

Review by Damon Wise