News: Scarlett Johansson

Even before this week’s magical movie, Hollywood’s hottest starlet had got used to working alongside her The Prestige co-star Hugh Jackman on the set of Woody Allen’s Scoop, yet to be scheduled for a UK release, where she plays an American journalism student in London who lands a big story – and an affair with Jackman’s aristocrat. She’ll be cropping up as a student again (well, she is still only 21, with her 22nd on the 22nd of this month) in American Splendor directors Shari Springer Berman and Robert Pulcini’s New York-set The Nanny Diaries, where she’ll play the titular nanny, living and trying to keep up with her studies in the household of Paul Giamatti and Laura Linney’s Mr and Mrs X.

But Johansson’s far too canny to risk getting typecast, so it’s good to see her lending her help to the current revival of the period drama, with no less than four historical projects in the works. She is still attached to star as Betsy Balcombe, the daughter of Napoleon Bonaparte’s British jailer at the end of the French Emperor’s life, in Napoleon and Betsy – although the project seems to have been on hiatus for some months. More recently announced – though with little as yet known other than that it came from an idea by Johansson herself – is Amazon, which could well be a female version of Gladiator, with Johansson in the Russell Crowe role as an avenging warrior in 200BC.

Most interestingly, however, is a brace of British-based history pieces, both set in the Tudor era. First up, based on the bestselling novel by Philippa Gregory and directed by the man behind the BBC’s recent adaptation of Dickens’ Bleak House, is The Other Boleyn Girl. With Eric Bana lined up as Henry VIII and Natalie Portman as his ill-fated second wife Anne Boleyn, Johansson will play the “other” Boleyn of the title, Anne’s sister Mary, who was also having an affair with the King. After that, Johansson will take on royalty herself in Mary Queen of Scots, with her in the title role, based on a script by Cracker creator Jimmy McGovern. See? They always told you that history could be cool…

News: Hugh Jackman

Though almost unknown when heended up as a last-minute replacement for Dougray Scott on the first X-Men film back in 2000, Hugh Jackman’s career is now in full-on overdrive, with his turn in this week’s The Prestige just the latest impressive addition to his film CV. With his own X-Men spin-off, Wolverine, due for 2008, this freshest Australian superstar is really churning them out,with lead roles alongside his The Prestige co-star Scarlett Johansson in Woody Allen’s Scoop and Rachel Weisz in Darren Aronofsky’s ambitious The Fountain and voice work as a rat in Wallace and Grommit creators Aarman Animation’s Flushed Away and as a penguin in the much-anticipated Happy Feet already completed and ready for imminent release.

Of Jackman’s other upcoming projects, most interesting are likely to be The Tourist, where he’ll play a lawyer who leads Ewan McGregor into a hidden world of sex and kidnapping, genius Chinese director Wong Kar-Wai’s 1930s-set The Lady From Shanghai (again opposite Rachel Weisz), and weirdo Aussie director Baz Lurhmann’s as yet untitled next project, in which Jackman will star alongside fellow antipodean Nicole Kidman. And if that’s not enough, just this week another project has emerged, The Amateur, with Jackman playing a geeky CIA code cracker who turns himself into a killing machine when his wife is killed by terrorists.

At this rate, Jackman could soon see himself making a serious challenge to Russell Crowe and even Mel Gibson as Hollywood’s premiere Australian male – especially if Crowe keeps appearing in dross like A Good Year and Gibson keeps getting drunk and making sexist/racist remarks to police officers…

Review: The Black Dahlia

UK Release: 15th September 2006

This adaptation of James Ellroy’s crime novel from Brian De Palma showcases all the director’s strengths, as well as some of his faults.

Loosely based on an actual unsolved murder case from the 1940s, this stylish movie sees tough-as-teak LA cops Bleichert (Josh Hartnett) and Blanchard (Aaron Eckhart) investigating the grisly demise of would-be actress Elizabeth Short. The trail leads to socialite Madeleine Linscott (Hilary Swank), a Short lookalike and member of one of the city’s wealthiest families. Meanwhile, Bleichert becomes involved with Blanchard’s glamorous wife (played by Scarlett Johansson).

The performances are uniformly strong, with Hartnett surprisingly good as the bewildered but basically decent gumshoe. Dante Ferretti’s sumptuous production design is atmospherically shot by veteran cinematographer Vilmos Z sigmond and De Palma delivers his trademark touches — complex camera shots, razor-sharp editing, labyrinthine plotting and deft nods to other film-makers.

De Palma’s enthusiasm doesn’t always extend to the humanity of his characters, but this is still a superior, deeply enjoyable piece of film-making from a director on top form.

Radio Times rating:

****

UK cinema certificate 15
Running time 120mins

Review by Adam Smith