News: Elijah Wood

The voice behind the CGI penguin star of this week’s Happy Feet really is doing a good job of maintaining a career after his success as Frodo in The Lord of the Rings. No Mark “Luke Skywalker” Hamill-style fall from the spotlight for this young actor, who has already appeared as an underwear-obsessed stalker in Eternal Sunshine of the Spotless Mind, a sadistic psycho in Sin City, and a violent hooligan in Green Street since he returned from his quest to Mordor.

Frodo – sorry – Wood’s next few projects are yet more deliberately eclectic, yet decidedly interesting, movies, that should once again show that there’s much more to this chap than furry feet, wide blue eyes, and a tendency to look a bit pathetic while evil ghost-like things on massive flying dragons whizz around the shop.

Though it came out in France in May this year, and is scheduled for a US release in April 2007, sadly no UK distributors seem ready to put out Paris, je t’aime – a quirkily ambitious project that counts cult favourites the Coen brothers and Gus Van Sant, Scream‘s Wes Craven, French superstar Gerard Depardieu, Children of Men‘s Alfonso Cuarón and Wong Kar-Wai’s cinematographer of choice Christopher Doyle amongst its many directors. Broken into 18 five-minute segments, each overseen by a different directorial team, Wood appears as a young American tourist in “Quartier de la Madeleine”, written and directed by Cube‘s Vincenzo Natali. Co-stars include the likes of Bob Hoskins, Steve Buscemi, Marianne Faithful, Willem Dafoe, Miranda Richardson, Juliette Binoche, Maggie Gyllenhaal, Emily Mortimer, Rufus Sewell and Natalie Portman – so quite why this has yet to hit our screens is anyone’s guess.

Wood will also be cropping up in the hugely impressive ensemble cast of former brat-pack actor turned director Emilio Estevez’s Bobby, revolving around the 1968 assassination of US presidential hopeful (and brother of the assassinated President JFK) Robert Kennedy. Due out in the UK on 26th January, the cast is padded out with the likes of Estevez’ father Martin Sheen, as well as Lawrence Fishburne, Heather Graham, Anthony Hopkins, Harry Belafonte, Helen Hunt, Joshua Jackson, Ashton Kutcher, William H Macy, Lindsay Lohan, Demi Moore, Freddy Rodriguez, Christian Slater and Sharon Stone. Nominated for the Golden Lion at the Venice Film Festival this year, it’s definitely one to look forward to.

As for Wood’s other projects, again they are typically diverse and interesting. He’ll voice the young dragon Spyro in the latest in the popular computer game series – alongside Brit favourite Gary Oldman – The Legend of Spyro: A New Beginning, and take on the role of a young man forced in to the US army as the draft is re-introduced in the timely exploration of duty in time of war that is Day Zero. Then, due for release in 2008, he’ll play Albert Einstein in the film adaptation of comic Steve Martin’s successful play Picasso at the Lapin Agile, alongside another impressive cast that includes the likes of Martin himself, Kevin Kline, Juliette Binoche, Sienna Miller, Jason Biggs and Ryan Phillipe. Pretty soon Wood’s going to beat even Kevin Bacon for a Hollywood six degrees of separation…

Review: Breaking and Entering

UK release date: 10th November

Writer/director Anthony Minghella (The English Patient) has assembled an impressive international cast for this thoughtful adult drama. The film captures the cultural and social maelstrom of the King’s Cross area of London, while probing the emotional confusion of a young architect working on its regeneration.

After opening an office in the heart of the district, Will (Jude Law) is infuriated when two break-ins occur in quick succession. Meanwhile, his long-term relationship with his Swedish-American partner Liv (Robin Wright Penn) is in difficulty. He mounts his own night watch at the offices and follows one of the young thieves home — the rooftop acrobatics of the young thief are especially impressive, albeit that they are laboriously counterpointed with the gymnastics of Liv’s troubled daughter. Instead of reporting him to the police, Will begins a tentative relationship with the boy’s mother, Amira (Juliette Binoche), a Bosnian refugee who works at home as a tailor.

This is an intelligent and articulate drama, but it is weighed down by an excess of metaphors about breaking (and mending) things, and ultimately seems cold and overly contrived.

Radio Times rating:

***

UK cinema certificate 15
Running time 118mins

Review by Brian Pendreigh