Review: Breaking and Entering

UK release date: 10th November

Writer/director Anthony Minghella (The English Patient) has assembled an impressive international cast for this thoughtful adult drama. The film captures the cultural and social maelstrom of the King’s Cross area of London, while probing the emotional confusion of a young architect working on its regeneration.

After opening an office in the heart of the district, Will (Jude Law) is infuriated when two break-ins occur in quick succession. Meanwhile, his long-term relationship with his Swedish-American partner Liv (Robin Wright Penn) is in difficulty. He mounts his own night watch at the offices and follows one of the young thieves home — the rooftop acrobatics of the young thief are especially impressive, albeit that they are laboriously counterpointed with the gymnastics of Liv’s troubled daughter. Instead of reporting him to the police, Will begins a tentative relationship with the boy’s mother, Amira (Juliette Binoche), a Bosnian refugee who works at home as a tailor.

This is an intelligent and articulate drama, but it is weighed down by an excess of metaphors about breaking (and mending) things, and ultimately seems cold and overly contrived.

Radio Times rating:

***

UK cinema certificate 15
Running time 118mins

Review by Brian Pendreigh

News: Robin Wright Penn

Jude Law’s jilted wife in this week’s Breaking and Entering (and the wife of Sean Penn in real life) seems to be making a bit of a comeback after several years of relative obscurity. Potentially most intersting is her turn as Queen Wealhtheow in Beowulf, the title character played by her Breaking and Entering co-star Ray Winstone, though the as-yet untitled film about the love affair of writer Ernest Hemmingway (to be played by James Gandolfini) and journalist Martha Gellhorn could also prove a hit, and even – if it’s played right – a potential Oscar contender for the 2008 awards.

News: Jude Law

While not appearing in the gossip sections of the tabloids over the latest rumours about his relationship with rising starlet Sienna Miller, All the King’s Men’s Law has been a busy boy, having taken most of last year off. First up is The English Patient and The Talented Mr Ripley director Anthony Minghella’s Breaking and Entering where, alongside Juliet Binoche, Ray Winstone, Martin Freeman and his King’s Men co-star Sean Penn’s wife Robin Wright Penn, Law will play a landscape architect to starts to reassess his life after a run-in with a young burglar.

Next up will be The Holiday, where Law’s King’s Men co-star Kate Winslett plays an unluck-in-love woman who does a house-swap with an equally unfortunate woman, played by Cameron Diaz, in an attempt to turn her life around. Law plays one of the bits of male eye-candy, alongside Rufus Sewell and, somewhat implausibly, scruffy tubster Jack Black.

After a small role in cult Chinese director Wong Kar-Wai’s American road trip movie My Blueberry Nights, hopefully due out in the UK sometime late next year, Law’s most promising – and at the same time most worrying – upcoming project is Sleuth. Starring alongside Michael Caine – who seems to have forgiven Law for destroying his classic character Alfie in the abysmal 2004 remake – this is yet another remake of a British classic, the 1972 flick of the same name in which the younger Caine entered a battle of wits with Laurence Olivier over a marital infidelity. We can but hope that yet more cinematic memories aren’t soiled in the process…

News: Anthony Hopkins

Veteran Hopkins may be about to hit his 69th birthday (on 31st December), but he’s certainly not showing his age in terms of workload, with three more films already wrapped since finishing his duties on this week’s All the King’s Men.

The one he’ll be most keen to see do well is Slipstream – largely because not only does he star, but also wrote and directed this surreal psychological exploration of a screenwriter (played by Christian Slater) who starts becoming unable to distinguish between fact and fiction. No release date has yet been set, but then again, it is still in post-production.
Next up, Hopkins looks to be moving back to his most commercially successful role as serial killer Hannibal Lecter. Only it seems that copyright has prevented the producers of Fracture from using that name, so instead Hopkins will be known as the altogether less sinister-sounding Ted, a psycho hounding a young assistant DA. Again, a UK release date has yet to be set, though it is out in the States in the Spring. Another familiar role will be in the recently-announced Harry and the Butler, where Hopkins will – following his acclaimed role in 1993’s The Remains of the Day – play a butler, this time hired by an aging blues man, to be played by Morgan Freeman.

Most promising of all, however, the Welsh national treasure will be cropping up as the beseiged King Hrothgar in Back to the Future director Robert Zemeckis’s much-anticipated cinematic adaptation of the ancient epic poem Beowulf. With Ray Winstone in the title role and supported by the likes of John Malkovich, Robin Wright Penn, Crispin Glover and Angelina Jolie, it looks all set to be one of the biggest films of Christmas 2007.

News: James Gandolfini

The man best known as Tony Soprano may have had a break from New Jersey in this week’s All the King’s Men, but as he’s currently filming for the Sopranos computer game, the mob seems never far behind. His next major film project will be starring as infamous writer Ernest Hemmingway in an as yet untitled project looking at the author and journalist’s romance with fellow writer Martha Gellhorn, the inspiration for Hemmingway’s masterpiece, For Whom the Bell Tolls. Lined up to play Gellhorn is none other than Robin Wright Penn, wife of Gandolfini’s co-star Sean Penn from King’s Men, who seems to be making films with pretty much everyone involved with this weeks’ releases…